The Backpack of Wings: Modern Mythology

Hyeseon Jeong and Seongmin Yuk

The Backpack of Wings: Modern Mythology represents speculative future scenarios, which are collisions and integrations between a bio-geotracking technology for wild animals in scientific fields and an animism in seismic disaster myths in East Asia. 

Since ancient times, whenever a natural disaster strikes, people anecdotally report that “animals knew it beforehand”, a belief related to animals as spiritual beings. As telemetry systems evolve, this animistic belief is solidified and transformed into data by calculating, analysing, and biologging the animal body. This animal behavior data should make it possible to forecast such natural events in the near future. In the distant future, the evolving telemetry system could enable the creation of a new network (an Internet of Animals), in which non-humans and humans are interconnected. This new technology presents us with a ground-breaking means of facing the climate emergency. The transformation could also allow us to redefine the relationship between human beings and animals. Yet it simultaneously provokes a lot of questions: How far is the intervention of human beings into non-human life acceptable? Will animals be perceived as essential members of human society? Will they be revered as divine agents for predicting the future, or simply as measuring tools? And above all, could this technology be a genuine solution for the opaque future or is it just another anthropocentric techno-fixational illusion?

The Backpack of Wings looks into the innovative telemetry system and seeks a new relationship with non-human beings by focusing on the animistic aspect of ethological study. The project depicts an imminent scenario with the film The Backpack of Wings: Modern Mythology, and the vision of a distant future with the installation The Backpack of Wings: Post Mythology. The workshop The Backpack of Wings: Sensory Networks puts the lens on one migratory bird by using GPS data and invites the participants to create an imaginary storytelling narrative.


Loki and Anja on a roof.

Migratory Bird Conservation Comission.

A’Sense company AD.

A’Sense nautral disaster alarm application.

Loki and Anja on a roof.

Migratory Bird Conservation Comission.

A’Sense company AD.

A’Sense nautral disaster alarm application.

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Hyeseon Jeong is interested in social phenomena of digitali- zation, new power/network structures, and decentralisation. Her work engages with a wide range of themes, from scientific approaches to political issues. She has generated non-linear narratives by translating and reconstructing the research content from various fields, in a maximization of fictions, radioplay, videos and sounds, entangled under a theme, and then exhib- ited as part of exhibitions, festivals and sound performances. She is currently studying at Academy of Media Arts Cologne.


Seongmin Yuk is an artist, interested in notions of de(re) constructing boundaries, space and physical embodiment, interdependent perception, transboundary, posthumanity, and digital transhumanity. Seongmin Yuk looks for the possible nodes networking through those notions, (de)composes the intersections through his videos, performances, installations, and constructed spaces. He is currently studying at Academy of Media Arts Cologne.




Max Planck Institute of Animal Behaviour
Michael Quetting, Hemal Naik, Carla Avolio, Andrea Flack 

3D model VFX
Nathan Schönewolf 

Installation assistant
Blanca Barbat 

Music, sound mixing
Hyemin Jung 

Data visualization support
University of Konstanz, Department of Computer and Information Science

Project TEAMwISE
Ying Zhang, Stefan Erk, Prof. Dr. Falk Schreiber

Imaging Barn
Alex Chan, Mathias Guenther 

Web design & development
Egozen Collective 

Soundscape composition
Jiyun Park 

Max Planck Institute of Animal Behaviour, Ute Hörner, Thomas Hawranke, Leo Beaudoin, Atelier Xoda, Urbanos, Marc Lee, Temporary Gallery, Nordic House, Christelle the Cat