Seven Approaches to Eco-social Renewal Participants

Akwasi Bediako Afrane

Akwasi Bediako Afrane (b. 1990) is a Ghanaian artist living and working in Kumasi, Ghana. His works explore the idea of augmentation and extensions between technological gadgets and humans. He works with discarded electronic gadgets which he refers to as “amputees”, refashioning and repurposing them into machines and micro-organisms he describes as “TRONS”. These TRONS become potential platforms and media for reflection, engagement and interactions. Stripped bare of their familiar housing, the TRONS become mechanical gizmos subsumed with the consciousness of previous owners of these gadgets and himself.


(photo: Afia Asare)

Anne-Sofie Belling

Anne-Sofie Belling is a designer/technologist who interrogates design futures through practice-based and speculative design research. Her research often focuses on extending human somatic relations and experiences with other-than-humans through emerging technology interventions. She is currently studying a PhD at the HBBE, where she is examining the more-than-human relations of transplanetary imaginaries and off-Earth habitats through practice-based design research.

Stefan Böschen

Stefan Böschen is Professor for Society and Technology at the Human Technology Center (HumTec) RWTH Aachen University. He is mainly interested in interdisciplinarity in research and forms of collaboration within research. Against this background, he is also Spokesperson of HumTec and Director of the Käte Hamburger Kolleg “Cultures of Research” and finally member of the working-group “interdisciplinary science studies” at Leopoldina – Nationale Akademie der Wissenschaften. Prior to this he was senior research scientist and group leader for the area “knowledge society and knowledge politics“ at the Institute for Technology Assessment and Systems Analysis (ITAS) at KIT. Training in Chemical Engineering (Diploma), PhD and Habilitation in Sociology. His special interests are: sociology of science and technology, risk research, technology assessment, theory of modern societies.

 

(photo: Peter Winandy)

Bea Delgado Corrales

Bea Delgado Corrales is an environmental microbiologist interested in finding new microbial species through bioinformatics and new DNA sequencing technologies and she is now focused on characterizing the built environment microbiome. During her PhD at the HBBE, she wants to explore the possibility of using the microbial distribution in our homes to promote a healthier environment through building design and other strategies.

Lena Geerts Danau

Lena Geerts Danau is graduating with a Master of Architecture from the Royal College of Art (RCA), London. Geerts Danau completed her BA Architecture degree at the University of Antwerp in 2018 and went on to Norway where she studied for one semester at the Bergen School of Architecture. In 2019 she came back to Antwerp and worked at the architectural practice B-architecten. At the RCA, Geerts Danau studied in ADS7: Politics of the Atmosphere, where she focused on the geopolitical influence of data distribution. Geerts Danau is particularly interested in geopolitical and geographical influences — concerning the climate — that create new territorial situations.

Sarah Donderer

Sarah Donderer is a curator focusing on the intersections of art, science and technology. After studying art history and sociology in Munich, she worked as a coordinator and curatorial assistant at Kunstverein München and completed her academic traineeship at Deichtorhallen Hamburg. She has been involved in various exhibitions and art projects among others at the design museum Die Neue Sammlung in the Pinaktothek der Moderne in Munich and the Deutsches Hygiene-Museum Dresden. Since 2020 she has been holding the position of a curator at the ZKM | Center for Art and Media Karlsruhe and has co-curated and co-coordinated the digital opening festival of the scientific and artistic collaboration project Driving the Human. 

 

(photo: Felix Gruenschloss)

Xandra van der Eijk

Xandra van der Eijk is a Dutch artist and designer connecting art, ecology, and activism. Graduated from the Interfaculty ArtScience (MA) at the Royal Conservatory, after graduating from Graphic Design (BA) at the Royal Academy of Art, Van der Eijk has developed a distinct research methodology demonstrated in a broad body of work. Incorporating theory, fieldwork, documentation methods and material development in her practice, she re-interprets the landscape from an anti-anthropocentric view. Each of her projects deals with a key ecological issue, and how it is exposed by the passing of time. Van der Eijks work has been nominated and awarded multiple times and is extensively exhibited throughout the world. Her work extends through lectures, workshops, writings and curating exhibitions. She has been an active member of renowned design collective Dutch Invertuals since 2017. Currently, she is undertaking her Ph.D. at Ulster University in Northern Ireland at the Faculty of Art and the Faculty of Environmental Sciences with an International Award from the UK Department of Economics. She is an associated researcher at Critical Media Lab Basel. In addition, Van der Eijk is leading MA Ecology Futures at the Masters Institute of Visual Cultures and is an affiliated researcher in the Biobased Art & Design Research Group.

Sandra Fendl

Sandra Fendl is a scientific advisor at acatech, the German Academy of Science an Engineering, where she translates and communicates complex science to the public. She is an author for the acatech HORIZONS series, which addresses cutting-edge technology fields in a manner that is scientifically robust yet still clear and easy to understand. Furthermore, she co-coordinates the science-art collaboration project Driving the Human. Before her work at acatech, she studied biology in Regensburg and Munich and received her PhD from the Max Planck Institute of Neurobiology where she contributed to the understanding of the fruit fly’s brain. Besides her scientific work, she was engaged in the Max Planck PhDNet as a podcast host discussing diversity and inclusion in academia.

Peter Giovannini

Peter is coordinating a project facilitating the development of Global Crop Conservation Strategies at the Global Crop Diversity Trust. These documents describe the status of seed bank collections at global level and aim at identifying priority activities needed to strengthen the conservation of the genetic diversity found within crops, which is the basis material needed to adapt agriculture to a changing environment. 
Before joining the Crop Trust, Peter worked as a scientific consultant, coordinated a seed conservation programme in the Pacific region for Kew’s Millennium Seed Bank, and conducted research on traditional knowledge of useful plants in Mexico, Ecuador, and Bolivia. Peter also collaborated with an independent arts foundation based in London to set up Phytology, a cultural institute based at the Bethnal Green Nature Reserve in Tower Hamlets, East London. 

Ina Grabosch

Ina Grabosch lives, works and studies in Karlsruhe and Freiburg. She has worked as Assistant to the Directors for the Vitra Design Museum and as an industrial clerk for the company Vitra. With her studies in product design at the Karlsruhe University of Arts and Design (HfG) she now follows her passion for a change towards more sustainability in industry. Alongside she works as a research assistant in the Bio Design Lab at the HfG Karlsruhe and as a product designer for the toy company Plasticant mobilo.

Mang Dian

Mang Dian is an environmental activist that works with the river, waste management and urban farming in Bandung, Indonesia together with Cikapundung Community, Karang Taruna, dan PHL BBWS Citarum. He is now the director of Masagi Community and head of the neighbourhood 04 Cibogo, Bandung. He runs and manages his urban farming activity at his small garden called Urban Organik Farm at Cibogo, Bandung.

Arne Hegemann

Arne Hegemann is an Associate Professor at the Department of Biology, Lund University, Sweden. His research integrates physiology, ecology and behaviour of (migratory) animals. In particular, he uses tracking devices to follow birds on their migratory journeys and he tries to understand how immune function shapes the ecology and behaviour of birds (and fish). If we humans travel, we have a higher risk of getting sick; be it because we meet many other people or because we travel to other continents with different pathogens (and sometimes we even get vaccinations before we travel). If we are sick, we don’t want or can’t do any sport. Similar things apply to animals. When animals migrate, they have increased risks of becoming sick and might encounter pathogens that don’t occur at their summer areas. And if animals are sick, they might not be able to migrate. Arne is studying how precisely these processes work in free-living animals. Arne studied biology in Germany and did his PhD in the Netherlands before moving to Sweden. He always enjoys communicating science to a broad audience. 

Alexander Hicks

Alexander Hicks was born 1983 in Houston, Texas, and is an expert when it comes to chilis, starting his chili eating career before he even turned one. At 14 years old he started cooking with chilis, and shortly after that he started growing this plant. Finding many interesting new varieties from all over the world he has grown over 2000 different varieties over the years. Recently, he introduced his chili passion to an array of people by presenting interesting facts in many outlets, such as social media and in different TV shows.
Hicks organic grown chili plants received awards at major garden shows, and his presentations in schools show young people the different aspects about this plant that has a cultural impact all over the world.  
With experience in renewable energy and agriculture, he is now exploring energy efficient growing environments to produce crops. One project is a rooftop Greenhouse with a cradle 2 cradle concept that will be able to produce fresh chilis year-round, with a minimum of external energy.

Julia Ihls

Julia Ihls is an interdisciplinary researcher and designer at the intersections of (natural-)philosophy, media theory and scenography. After studying art/media studies (M.A.) in Konstanz and Cork, and scenography/media art (Dipl.) in Karlsruhe, she worked as a concept designer and writer, among others for the ZKM Karlsruhe. Since April 2021, she is the head of the Bio Design Lab at the HfG Karlsruhe, where – besides teaching and curating – she researches on new (bio-)materials and convivialism.

Hyeseon Jeong

Hyeseon Jeong is interested in social phenomena of digitalization, new power/network structures, and decentralisation. Her work engages with a wide range of themes, from scientific approaches to political issues. She has generated non-linear narratives by translating and reconstructing the research content from various fields, in a maximization of fictions, radioplay, videos and sounds, entangled under a theme, and then exhibited as part of exhibitions, festivals and sound performances. She is currently studying at Academy of Media Arts Cologne.

Susanne Kadner

Convinced that reaching our climate targets requires a fundamentally different way of using resources, Susanne Kadner initiated the Circular Economy Initiative Germany at acatech – National Academy of Science and Engineering. She leads the Head Office of the state and industry-funded initiative, which aims at defining the transition towards a resource-efficient and digitally-enabled Circular Economy with stakeholders from Politics, Science, Industry and Civil Society. Before that, Kadner worked for ten years at the Potsdam Institute for Climate Impact Research, where she was Head of Science and Deputy Head of the Intergovernmental Panel on Climate Change (IPCC). In this function, she co-authored and managed among other things the fifth Assessment Report, which provided the scientific basis for the United Nations Framework Convention on Climate Change Paris Agreement. Before starting her career on the science-policy interface, she studied Oceanography at the University of Southampton and received a PhD in Analytical Chemistry and Marine Microbiology from the University of East Anglia.

Romy Kaiser

Romy Kaiser is a designer with focus on biomaterials, smart textiles and future textile thinking. As a “designer with hands, scientist in mind, activist by heart” she aims to change our mindset as well as current systems towards a more sustainable living using textiles and materiality as a tool. Currently Romy holds a PhD position at the HBBE. Her project Textile Hosting investigates the scaffolding potential of textiles for living media, like mycelium or bacteria, for bio assembly and construction purposes.

(photo: Daniela Ferro)

Raphael Kim

Raphael is a postdoctoral researcher and designer at Materials Experience Lab, TU Delft, Netherlands. He is engaged in critical explorations of bio-technology in the field of Human-Computer Interaction (HCI). Through making, growing, writing, and speculating, Raphael strives to continue unpacking the social and cultural implications of considering living agents – namely microbes and DNA – as computational materials for interaction. Following his Master’s in Design Interactions from Royal College of Art in London, Raphael gained his PhD from Queen Mary University of London. His thesis (2020), titled Effects of Microbial Integration on Player Experiences of Hybrid Biological Digital Games, investigated ways in which distinct microbial materiality could be harnessed into design processes towards enhancing playful experiences of human-computer interaction. Outcomes of the research, along with his latest studies on viruses and DNA, have been published at major international academic venues (e.g., ACM CHI), where he plays an integral role in the growth of Biological-HCI and Microbe-HCI; an emerging set of communities with a special penchant (and curiosity) for artefacts with molecular, organic, microbial turns. Raphael has previously taught at the Royal College of Art in London, serving as a visiting lecturer for MA Design Interactions and MA Innovation Design Engineering.

Marc Lee

Marc Lee is a Swiss artist. He focuses on real-time processed, computer programmed audio visual installations, AR, VR and mobile apps. He reflects critically creative, cultural, social, ecological and political aspects. His work has been shown in major museums and new media art exhibitions including: ZKM Karlsruhe, New Museum New York, MMCA Seoul, Transmediale Berlin or Ars Electronica Linz.

Iris Long

Iris Long is an independent curator with a research focus on how art responds to our technological conditions. As a critic, she was shortlisted for the first M21-IAAC Award (International Awards for Art Criticism). As a curator, she has curated exhibitions around art and technology, as well as inter/trans-disciplinary studies, such as Lying Sophia and Mocking Alexa (Hyundai Blue Prize), Blue Cables in Venetian Watercourse (Power Station of Art), and so on. She has curated solo shows for artists such as Liu Xin and Lauren Lee McCarthy. She was on the art jury of ISEA 2019, and the art jury of SIGGRAPH ASIA 2020. In 2021, she started Port: Under the Cloud, a long-term research and curatorial project on the infrastructures of science and technology in China. 

Freo Majer

Freo Majer is the founder and artistic director of Forecast, an international mentorship program that transcends disciplines and geographical locations to connect cultural practitioners with renowned mentors.
Trained as an opera director, Majer looks back at a career as a director and producer in European theaters, opera houses, and at festivals, including at Mainz State Theater, Lucerne Theater, Bremen Theater, and the international festival “Theater der Welt.” Driven by his own experience, and recognizing a gap in the type of support available to cultural workers, he changed paths and founded Forecast in 2015.
Together with curators and festival directors from various European cities, he initiated the interdisciplinary research project Housing the Human (2017-2019). In 2020, Majer began a three-year collaboration with the ZKM and HfG in Karlsruhe and the National Academy of Science and Engineering acatech, developing prototypes on the eco-social research program Driving the Human.

Vera Meyer

Vera Meyer runs the Chair of Molecular and Applied Microbiology at TU Berlin since 2011. The focus is on researching and optimising fungal cell factories, with the aim of making more effective use of fungal metabolic potentials for the production of medicines, platform chemicals, enzymes and biomaterials in the sense of a sustainable bioeconomy and circular economy. Together with her team, she pursues a holistic approach and develops and combines methods from systems biology and synthetic biology. Vera Meyer is the spokesperson for the European think tank EUROFUNG, a board member of DECHEMA and a member of acatech. Her inter- and transdisciplinary research projects combine natural and engineering sciences with art, design and architecture and create bio-based scenarios for possible living and housing worlds of the future. Vera Meyer is also active as a visual artist under the pseudonym V. meer and uses the means of art to make society more aware of the potential of mushrooms for a sustainable future.

 

(photo: Martin Weinhold)

Paula Nerlich

Paula Nerlich is a designer and explorer. With her material research she aims to support the elimination of so-called food waste through the creation of circular biomaterials from industrial food production surplus. In her practise as material designer and as co-founder of Circular Home Lab, she initiates discourse around rethinking systems of waste, the food industry and community. Her PhD project The Materiality of Well-being is a practise-led research project, searching how multisensory experiences and interactions of smell and touch, with a focus on the interrelationship of bacteria, smell and textiles for enhanced wellbeing.


(photo: Marielle Samstad)

Anthea Oestreicher

Anthea Oestreicher is an interdisciplinary designer and researcher working on the threshold between science and art. With a diploma in visual communication from Darmstadt and working as an Art Director, she is a narrator, combining content and form and craft practice.  
She is interested in the concepts around interspecies dependencies, symbiotic design and co-laboration, the role of food, and systems change in the face of ecological crisis.

Julian Oliver

Julian Oliver is a Critical Engineer, activist and artist based in New Zealand / Aotearoa. His projects and lectures have been presented at many museums, international electronic-art events and conferences, including the Tate Modern, Transmediale, Ars Electronica, FILE and the Japan Media Arts Festival. Julian's work has received several awards, most notably a Golden Nica at Prix Ars Electronica 2011 for the project Newstweek. He has been actively exhibiting worldwide since 1996.

Eliana Otta

Eliana Otta (Lima, 1981) is an artist with a Master in Cultural Studies, who inquiries about our relations with nature and precarious labor in neoliberal, extractivist economies, and also gender inequality, intersecting feminism, poetry and politics. She addresses these questions creating spaces for conversation, trust and curiosity through shared intimacy, with projects that involve pedagogical, curatorial and editorial work. Her current PhD project Lost & Shared: A laboratory for collective mourning, towards affective and transformative politics, aims to investigate the ways in which art can enable the collectivization of mourning, creating dialogues between theory and affective labor, through collective experiments that connect emotions, critical thinking, body and space. She coordinated the curatorial team of Lugar de la Memoria (Museum of Memory) in Peru (www.lum.cultura.pe), has taught at Pontificia Universidad Católica del Perú and co-founded the artist-run space Bisagra (www.bisagra.org). She is currently Candidate at the Phd in Practice Program at the Academy of Fine Arts, Vienna.  She is represented by the Galería 80m2 Livia Benavides. She founded the first shop dedicated to young fashion designers in Lima, Pulga, and has an eternally amateur alter ego, dj Flaquita. 

 

(photo: Camille Blake)

Andra Pop-Jurj

Andra Pop-Jurj is graduating with a Master of Architecture from the Royal College of Art (RCA), London. Pop-Jurj’s interest lies at the intersection of architecture, spatial politics and environmental degradation. Born in Romania, she studied at the Technical University of Munich and the National University of Singapore prior to her experience at the RCA. Having gained work experience at several architecture studios in Germany and at Sergison Bates architects in London, Pop-Jurj currently works as a freelance architectural designer while expanding her practice as a researcher. Her international and multidisciplinary background, coupled with her experience as part of ADS4: Plots, Props & Paranoia: How Architecture Stages Conspiracy, have stimulated her interest in the expanding definitions of architecture and her research into speculative design and the role of architecture in social, environmental and geopolitical conflicts, identity and nation-building.

Iris Qu 曲晓宇

Xiaoyu (Iris) Qu (曲晓宇, b. 1993, China) is an artist, technologist, and programmer based in Brooklyn, NY, working at the intersection of software engineering and new media art. With code as her primary medium, her works engage with the speculative, political, and poetic aspects of technology. Currently, she works on prototyping experiments at Google Research. Do AIs Dream of Climate Chaos started from her reflection on the entanglement of technology and nature and her role in speculating change as a tech worker.


(photo: Xinyu Li)

Vincent Rumahloine

Vincent Rumahloine is a contemporary artist that playfully interrogates the social fabric and the mundane in society. His work mainly revolves around people; from social issues, human rights, traditional values, human relations, collective memories to re-designing historic narratives. Rumahloine is the winner of the sixth Bandung Contemporary Art Award 2019. His winning project Don’t Call Me A Hero was exhibited in the Latiwangi Art Gallery in Bandung and tells the story about an Indonesian exile in Prague, who lost his citizenship after the 1965 tragedy. Vincent’s work bridges the gaps in society by adding a twist of uncanniness and by using artistic strategies to get closer to the experiences and lives of (non-art minded) others. Vincent graduated in Ceramics at The Bandung Institute of Technology in 2009. He worked as an art teacher and as a social worker with HIV/AIDS victims, before becoming a full-time artist. His project has been presented at Pulosari Public Space in Bandung, Contemporary Ujazdowksi Castle in Warsaw (Poland) and The National Gallery of Indonesia in Jakarta.

Martina Schraudner

Martina Schraudner is head of the Fraunhofer Center for Responsible Research and Innovation and of the department Gender and Diversity in Technology and Product Development at the Technical University of Berlin. Since January 2018, she has been on the board of directors of acatech - German Academy of Science and Engineering e. V. She deals with methods, instruments and processes that make diversity, understood as different perspectives, accessible and usable in research and development. Schraudner is active in expert groups for Structural Change of the European Union and national and international selection committees for application-oriented research and innovation projects. She is a member of the Council of the University of Paderborn, of the Board of Trustees of the European Academy for Women in Politics and Economics (EAF) and the Board of the Competence Centre Technology-Diversity-Equal Opportunities e. V.

 

(Photo: Vera Christoph)

Biao Xiang

Biao Xiang 项飙is Director of Max Planck Institute for Social Anthropology in Germany since 2020, and Professor of Social Anthropology at the University of Oxford before that. Xiang’s research addresses various types of migration – internal and international, unskilled and highly skilled, emigration and return migration, and the places and people left behind – in China, India and other parts of Asia. Xiang is the winner of the 2008 Anthony Leeds Prize for his book Global Bodyshopping and the 2012 William L. Holland Prize for his article Predatory Princes. His 2000 Chinese book 跨越边界的社区 (published in English as Transcending Boundaries, 2005) was reprinted in 2018 as a contemporary classic, and 自己作为方法 (Self as Method, co-authored with Wu Qi) was ranked the Most Impactful Book 2020. His work has been translated into Japanese, French, Korean, Spanish, German and Italian.

Seongmin Yuk

Seongmin Yuk is an artist, interested in notions of de(re)constructing boundaries, space and physical embodiment, interdependent perception, transboundary, posthumanity, and digital transhumanity. Seongmin Yuk looks for the possible nodes networking through those notions, (de)composes the intersections through his videos, performances, installations, and constructed spaces. He is currently studying at Academy of Media Arts Cologne